Open brochure with medical and pharmaceutical content, featuring blue text on white background and yellow design accents, lying on a white surface.

UTAK Custom QC Brochures

UTAK is an elite manufacturer of stock and custom controls for use in forensic testing labs — and their sales reps needed a set of brochures to encompass their vast catalog of controls. Their previous brochures had been designed by a variety of vendors over the years, which produced an inconsistent and muddled brand look.

Brochure for Benzodiazepines Plus 100 by UTAK Laboratories, describing its use for testing human urine and blood with a list of reference values and company contact information.
Product brochure of UTAK Custom Controls featuring bottles for custom control solutions, with a section emphasizing control options such as matrix, analyte, concentration, liquid-stable frozen or lyophilized, and volume fill size.
Brochure for UTAK immunosuppressant controls featuring laboratory glassware with a red liquid, company logo, and text about quality control and stability parameters.

The previous UTAK brochures were a mishmash of styles and formats.

The Challenge

  • Provide a fresh look & feel for the brochures and incorporate the new UTAK logo.

  • Condense the high volume of data contained within each control brochure into a manageable format that is easy to scan and easy to read.

  • Create a family of brochures that UTAK’s sales representatives and their lab clients can quickly distinguish from each other, while maintaining a cohesive branded look.

The Solution

Rather than one massive alphabetized brochure I designed multiple brochures, grouped by common usage to better target specific labs.

A standard letter-size format would make the brochures easy to mail and place into binders or folders. A mid-weight cover stock would help the smaller 1-sheet brochures feel substantial in someone’s hand and still accommodate the larger multi-page brochures without making them too bulky. I designed a 16-column layout that would provide plenty of flexibility for both the marketing copy and the multiple columns of control data.

I assigned key colors for each control type: yellow for urine, red for blood, blue for serum, etc. so sales reps could easily identify them. Brochures that contained multiple controls would be color-coded gray and a color bar across the top of each cover would help distinguish the brochures when they were nested in trade show display racks.

I kept the visual design simple to enhance the readability of the data instead of obscuring it with unnecessary decoration. A large curve — inspired by the rounded letterforms in the UTAK logo — served as a unique visual element and a frame for the distinctive duotone cover images, hinting at the control group’s purpose.

For the body copy, I chose Nimbus Sans typeface for its wide range of weights (including a condensed) and legibility at small sizes — perfect for the control data. I paired this with the distinctive Azo Sans typeface for headlines.

A person holding a booklet titled "Therapeutic Drug Monitoring" with a subtitle "Serum Controls" and an abstract image of laboratory glassware on the cover.
Information sheet about antipsychotic medication, including dosage, storage, shelf life, stability, and a list of active ingredients with their target values in mg/mL.

Once I established my design system of page layout, fonts, colors and imagery the brochures were fairly straight forward and easy to produce, with only a couple of outliers that required additional design consideration.

While making the brochures aesthetically pleasing was important, a design system was the primary focus in redesigning the UTAK brochures — one that could easily be reproduced and applied to sell sheets, presentation decks and web pages — ensuring brand consistency across multiple marketing channels.

A collection of catalog covers related to drug control topics, including drugs of abuse, therapeutic monitoring, and immunosuppressants, displayed in two rows with colorful designs and the publisher's name, UTAK, at the bottom.
“Justin is an incredibly talented designer, and we are a better company for his involvement. He provided recommendations for best practices and that expert opinion helped guide us.”
— Raleigh Gallina, Director of Revenue